35mm film in a Holga

This is the first time I’ve ever ran 35mm through a medium format camera shooting for sprockets. I want to see if the wide, slightly panoramic, frames are worth it by burning 35mm through the holga. If so, I might use it for my project.

Here is my ghetto setup involving foam packaging and rubber bands:

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Foam packaging peanuts jammed around a 35mm canister and a 120 spool fitted with 2 elastic bands

The results show a lot of messed up compositions where I should have had the camera either lower or more to the left. Its hard to judge what will be in frame or not. The images I took are around Lincoln.

 

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Lincoln cathedral
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Ruddocks of lincoln
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Guildhall
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Michaelgate
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Corporation Street
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Wordsworth street

I don’t think I will do it again, it was fun but the whole point of shooting the holga is that its a lightweight portable camera with the benefit of medium format. Its also hard to judge what will be in frame. I also wasted some film by winding on too much. I originally judged that 2 rotations of the winder were enough, but this turned out to be too much, I probably should have done 1 and a half turns.

35mm film in a Holga

Thoughts on the Oly MJU-II

This is probably the closest I will come to writing a review of the Olympus MJU II otherwise known as Stylus epic, a cult point and shoot camera. There are already plenty of in depth reviews around, most of them stating the obvious that it’s small, like a slippery bar of soap -its that small.

After 3 and a half rolls (one was a tester), it looks like my MJU is cleared of light leaks which were ruining shots from my trip to Kinderscout. So I’ll just write some thoughts down, and show some snapshots, hopefully giving it justice. All the photos were shot with Rollei Retro 400s which is very contrasty.

 

The battered and all weather sealed MJU

First of all it’s small (very original blog post here). It fits in my jean pockets, along side my wallet, phone and keys. It also fits snug into a shirt pocket. I almost lose it in my jacket pocket. Roughly around 10.5 cm long, 5.5cm tall, and around 3.5cm at its most thickest depth. The ergonomics seem to have taken second preference to the size. It can be fiddly to handle, like I said at the start, a slippery bar of soap.

 

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Nate & Zoe’s wedding – Dan – with flash

The 35mm f2.8 lens is beautiful. With the flash on, or in the right conditions -not a rainy evening, it offers punchy tones and a slight vignetting. It is surprisingly sharp dead centre. The lens is almost as good, if not better than some, expensive luxury 35mm compacts.

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Nate & Zoe’s wedding – Luke – no flash

As a point and shoot it offers nothing in the way of manual control. The sliding front door opens to turn it on. Flash options and a timer are on the back door in the form of two buttons alongside a rewind button. Other than the shutter-release, that is all the control you get. There’s no ISO override either.

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Nate & Zoe’s wedding – Some guy from the Mafia caught in the act

The viewfinder is painful to look through and compose. It is tiny and takes time getting use to. In the centre of the finder sits a crosshair. Presumably not to trigger gun crime, but to help with focusing.

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Nate & Zoe’s wedding – Luke and this Trip35 among pints

The AF seems to just work. I’ve had one maybe two go wrong. But it might be me not half pressing the shutter release to lock in the focus. A green light in the viewfinder indicates if it is focused with no indication as to what on

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Clumber Park

Turning the flash off is a pain. This camera loves the flash. The first time I tried the camera was with dx hacked hp5 at iso 1600. Even at 1600 and in bright sunlight the camera still fired the flash! To turn it off you have to hit the flash button twice everytime time you turn the camera on. A pain, but whatever, I would rather get into the practice of turning it off rather than blasting some stranger in the face with fill flash in what was supposed to be a candid street shot. Just one of those things.

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Wedge of Swans

There is a spot meter mode! This is so useful for backlit photography like below, where you need the camera to meter the subject, it also focuses on that point. You can lock the metering by half pressing the shutter release. This was taken at dusk with no flash.

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Hays – No flash – Backlit

The reputation of this camera is high, almost too high. Is it really worth the three figured ebay prices it goes for? I recently saw a trailer for a documentary called ‘Don’t Blink‘ about Robert Frank, in which you can clearly see him using the mju. This makes me think: if its good enough for a legendary photographer, it’s good enough for me right? Well I still dont think its worth over a hundred pounds -its a plastic point and shoot camera from the 90s that takes good snapshots, it won’t turn you into Robert Frank.

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Corn field

I think overall the MJU II is compact camera showcasing the best of the late 90s photographic technology in one tiny package. It is very simple, but it makes beautiful images. I hope to carry the camera with me on commutes to art college in september onwards for some early morning street photography, hopefully accompanied by some autumn/winter fog.

I dont think its worth the 3 figures it’s going for on ebay. I’m glad I didn’t pay anywhere near that. Yes, mine is a little scratched and suffered light leaks, but it’s nothing a bit of sticky foam and black tape couldn’t cure. Compacts seem to be marketed on ebay at silly prices that make no sense anymore.

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Close up Fern

As a finishing note -this is the first time I’ve used Rollei Retro 400s. It is very contrasty, with little shadow, compared to hp5 it’s more like acros 100. May have to buy more.

Thoughts on the Oly MJU-II