Birds – double exposure

I don’t normally do single image blog posts but, this double exposure I took with the fujipet toy camera is hard to ignore.


“The photographer is always trying to colonize new experiences or find new ways to look at familiar subjects – to fight against boredom. For boredom is just the reverse side of fascination: both depend on being outside rather than inside a situation, and one leads to the other.” Sontag, on photography, page 42

Birds – double exposure

Stuff I saw around Lincoln in June part 2 (Shooting ferrania film, again)

I use to shoot ferrania film quite a bit when it was still readily available in, of all places, the pound shop. ‘Solaris 200’ use to sit along side ‘agfa vista 200’, while gainer than the latter it was better for colours with deep blues that ‘popped’ out. It was, at one time, my favourite colour film, even coming with me on trips.

Keeping this short, this new film is the black and white p30, they have recently produced and sold. It was delayed a little, much to the annoyance of many. I got 5, and gave 3 away to friends. Share the wealth.

Here are a few snapshots using the film. First thoughts are that it isn’t as forgiving as most films, lot of blown highlights. Using a yellow filter the contrast is high. Its a distinctive look.

The film was developed in rodinal APH 09 1 + 50 for 8 minutes. One minute agitation at start then 1 per minute thereafter.



Castle walls
Tombstone in the castle
Lincoln Knight
Lincoln Knight
Stuff I saw around Lincoln in June part 2 (Shooting ferrania film, again)

Noon 6×6 pinhole camera (expired ektar & exhausted c41 developer)

Last week I revisited an old favourite spot for landscape photography. I have made many photos on this field/hill ¹ ² ³. I wanted to finally try my noon pinhole camera while the weather was nice and bright enough for pinhole photography.

This isn’t a review, but here are some thoughts on the camera. The craftsmanship and finish of the wooden camera is nice, but could be better by polishing all four sides of the camera the same colour. That said, it looks good on a shelf. It would make a nice gift for a photographer. Appearances and build quality aside, and with practicality in mind, its a little bulky. A spirit level is absent (I taped one on) and the body doesn’t have composition aids, things you find on the excellent reality so subtle cameras. The shutter, a simple sliding piece of felted wood, is okay in that it works but once or twice while walking it would slide open by itself despite being relatively tight against the wood. The pinhole itself looks efficient and clean with no defects. The back of the camera features a hole for frame numbers which I taped up, not trusting it on a very bright day.

The images the camera produces are sharp enough, not to a reality so subtle standard, but fine in pinhole terms. The images also have vignetting issues, commonly found in most pinhole cameras that don’t curve. The vignetting seems very pronounced at the top of the frame, rather than the usually balanced subtle drop off towards the centre which is often the case for pinhole photography.

Here are a few images taken on expired kodak ektar and souped in, what I didn’t know at the time, exhausted c41 developer. Lots of funky colours which I tried to sort out on scanning the film.

noon pinhole rjcalow-1
Cat 1 – handheld
noon pinhole rjcalow-2
Cat 2 – handheld
noon pinhole rjcalow-5
 Daises – the shutter came loose as I walked creating a weird double exposure
noon pinhole rjcalow-3
Field 1 – Tripod 11 secs
noon pinhole rjcalow-4
Field 2 – Tripod 11 secs

Noon do not make this particular model anymore, instead they make a more refined version which appears to resolve some of the negative aspects such as size and weight. I should also note as this is more a hand made item, rather than manufactured. Logically each camera and it’s results will be a little different from one to the next.

I don’t think the camera is practical, it lacks composition aids and seems overly bulky making it awkward to use. It is however a solid working camera with simple moving parts and no electronics, that will out live most film cameras. 

Noon 6×6 pinhole camera (expired ektar & exhausted c41 developer)

Pushing Vista 200 with BelliniFoto Monopart C41 Kit

I haven’t posted in almost a month. Up until recently, my spare time had been cut short. The irony of a photography degree is that most of the time you are researching and writing rather than taking pictures. I have been putting the final touches to my FMP, in which I used a Holga for a documentary project.

Between coursework and college I have been shooting acros 100 for #NEOPANtastic, which I’ll post on share week, and some poundland colour film for kicks. I am definitely a black and white photographer, however I have the c41 kit and the film is a pound a roll. To make it interesting I decided to push the film a stop, shooting it at 400.

The oly mju ii, like most compact film cameras, automatically sets the ISO via contacts inside the camera which read the chunky black and silver encoding on the side of the film canister known as the dx code. These electrical contacts can fooled by modifying a canisters dx code by scratching the black paint to reveal the metallic surface and by covering the metallic surface with black tape. Its better explained here, on the amazing site.

Ghetto hacked afga 200

The c41 kit I use is the BelliniFoto Monopart C41 Kit. It seems to develop expired agfa vista 200 (poundland film) with some success and its easy enough to use. I couldn’t find any guide lines about pushing film with the developer kit, but I read others had added 30′ seconds to 1 minute per each stop for other kits. I went with 1 minute extra to be on the safe side, changing the standard c41 development time of 3:15 to 4:15, and developed normally from then on.

The images look surprisingly fine with no crazy colour shifts, which contradicts images I have seen on lomography. The greens are muted, the yellows are fleeting but saturated, and the magenta is dominant. Pretty much the same as at box speed but with an increased amount of grain.

The pictures are not great, they were took for fun and mostly of family, and like I said I’m more of a black and white photographer. I am sharing these purely to show the outcome. The images were scanned with vuescan, with no edits.

Zoo – overcast. Very dull greens.
Hays – overcast. Very bright yellows and pink-green shadows.
Chilly – Indoors / flash. Red tones from the sofa, the cat and the brickwork in the background
Lincolns Glory hole – Sunny. Showing the red tones
Flower bed – sunny. A vibrant colour palette showing the warm colour tendency.
Chilly again, not looking at the camera – sunny/shade. A more balanced fuji-esk tone

It’s difficult to judge the results as I have not developed a fresh roll of the film at box speed with the BelliniFoto kit. However, the results are better than my expired examples and film lab developed examples from my flickr archive. All of this, plus an extra stop to help in varying lighting conditions. If anything, this just shows what modern film, a decent chemical kit and scanner can do. I would like to see what it looks like at el 800.

If you are interested in similar posts about abusing agfa vista 200 then you might like this post, which is on my main website, whereby I developed the film in Ilford Ilfosol 3. Another example of abusing cheap film is by Mr Irving, stand developing Kodacolor in rodinal.

Normal programming will commence from now till the end of summer with the usual “stuff I saw” series. Also hoping to show some different types of film too.

Pushing Vista 200 with BelliniFoto Monopart C41 Kit

Printing my holga work

I spent a few hours in the college darkroom today, making just two prints from my holga negatives. I am trying to get better at it, so I took my time.

I used a medium format colour enlarger, starting off with no filters creating a very flat muddy print:

I then applied a magenta filter creating a better contrast and longer exposure, making this:

I was also able to burn in the holga vignetting and dodge some of the shadows like below:

Having the filters built into the enlarger takes some getting use to, but it is useful to create better prints on varrible contrast paper. 

I’m still working on getting the paper straight and framing but the sloppyness seems to look good for images from a holga. Practice, practice, practice.

Printing my holga work